The Truth about the Samoan Tattoo (Tatau) – Part 2


So this is the continuation of my report on what I have learned about the Samoan tattoo over the years, thanks largely to the class I took and an interview I conducted with the late Afioga Tofaeono Tanuvasa Tavale.

Part one is here: The Truth about the Samoan Tattoo (Tatau).

Before we get into this post, though, I just wanted to thank James (who left a comment in part 1) for pointing out something about the Samoan tattoo for men. I originally called it the pe’a, and indeed, that’s what most people call it. But this tattoo is traditionally known as the malofie.

As James says:

…“pe’a” is the only the name of the small black triangle at the back. It seems there was confusion when the palagi’s started recording information and they probably pointed to the back of a man’s tattoo and asked what is was and so was told the name of the part on the back they were pointing to”

Thank you again. Although it’s still widely acceptable today to call this tattoo a pe’a, I hope we all get used to referring to it by its original name.

Okay, let’s continue our discussion.

The Symbols and Patterns in a Samoan Tattoo

The truly beautiful thing about a traditional Samoan tattoo is that every little symbol used has meaning, and names even.

Certain elements of the malofie and the malu will be the same all the time, no matter who it is receiving the tattoo, but other parts of the design – the arrangement of certain symbols – will vary according to a person’s village and family history, as well as the tufuga giving the tattoo.

That small black triangle at the back is an example of an image common to all malofie. On a superficial level, it represents a va’a (canoe), but each part of that design carries even further meaning.

As a writer, Tanuvasa himself was a diligent researcher who learned a lot about the tatau from renowned tufuga Sulu’ape. The Sulu’ape title is carried today by several tufuga, but Tanuvasa conducted his interviews with the first Sulu’ape to gain widespread popularity outside of Samoa because of his level of skill, the man who eventually lived in South Auckland and died tragically in the 1990s.

I do apologize, but I don’t know his full name. Most people connected to the Samoan tatau scene, though, will know who I’m talking about.

EDIT > This tufuga’s name was Sua Sulu’ape Paulo II

Based on what he learned from this Sulu’ape, Tanuvasa helped me to understand the symbols that make up the va’a at the back of every malofie.


First is the pula tele, the large upside-down triangle. Nested inside that is a smaller triangle, often filled in completely with ink, called the pula tama. The pula tele represents a person’s extended family, while the pula tama refers to the immediate family.

Asofa’aifo are the lines that extend from the va’a shape and over a man’s hips. These lines strengthen the idea of family connection. Below the va’a are the ivi’aso’aso, which represent the intricacies of genealogy. So yes, we’re all about family.

By the way, to put together this report, I’ve pulled up my old recordings from my interview with Tanuvasa. Here’s a (soundcloud) snippet of our tatau discussion. You have to imagine him drawing pictures on a piece of paper and pointing to parts of his own malofie as he explains their meaning :) :

The Stories Inked into a Samoan Tattoo

It can take years, maybe even a lifetime of study to learn all the names and meanings of every symbol in a Samoan tattoo. From the little that I know so far, what impresses me most are the layers of stories you can read in a tatau, if you know what to look for.

Each little pattern comes from everyday occurrences. For example, one symbol that looks like a ‘V’ comes from the footprints of a particular bird. Another V-shaped motif is taken from the legs of the ‘ali, those wooden headrests old men in the islands use as pillows. A common triangular symbol represents the shell of a delicious sea snail. Another symbol looks like a centipede. Another pattern is taken from the nets used to catch pigeons. Another one looks like a spearhead, and so forth.

Combined, these patterns tell us about life in Samoa back in the day. In my mind, they conjure up images of waking up in a remote village, understanding my place amongst family and friends, performing the typical chores of the day, and encountering objects, aromas, animals, plants and food unique to the environment of Samoa.

These experiences are fading with the passage of time – even for those of us who still live in Samoa – and might one day only exist in our memories, preserved in the symbols of our tatau (and our siapo, and other Samoan forms of visual art).

With a little more knowledge, though, you will be able to read a deeper, more personal story in the same patterns. The arrangement of certain symbols might represent a particular event in your village’s history. Another grouping of images might tell you about the status of a matai title in your family. The way a symbol is drawn might be dictated by something in your genealogy, or it could be a signature technique of the tufuga who gave you your tatau, which carries its own significance. You are forever connected to the person who tattoos you, so his mark becomes another part of your story.

On yet another layer of meaning, symbols in the tatau send strong messages about who we are as Samoan people. We’ve already talked about the va’a image in the malofie, how each symbol in it refers to different aspects of family. Indeed, the core of the Fa’asamoa is family.

I have so much more to learn still about symbols in the tatau, but I would expect other combinations of patterns to represent other inherently Samoan values: love, respect, courage and duty, etc.

This depth of intricate symbolism, and the degree of knowledge you have to possess in order to truly understand it all, elevates the Samoan tatau to a whole different level of body art.

It’s definitely not something you would undertake lightly.

Are you Samoan Enough to get a Samoan Tattoo?


We have a saying in our language:

E ta muamua le gutu ae le ta le vae

Its literal translation: “Tattoo the mouth before tattooing the legs”. It just means that you should strive for a little bit of wisdom first before you rush to get a tatau done.

Some people quote this proverb to insist that you shouldn’t receive a Samoan tattoo until you fully understand our culture first. I used to think the same way.

It makes sense, though. How can you truly appreciate the work of art if you have no idea what it means?

Tanuvasa, however, said that young men shouldn’t allow their lack of knowledge to prevent them from getting the malofie. The act of being tattooed itself will teach them so much, and having a permanent reminder of your culture on your body can often motivate a person to learn more.

Traditional village customs support Tanuvasa’s perspective. Pulau’u is what we call untitled men who don’t have a malofie. When matai gather together for discussions or ceremonies, the pulau’u are required to run around outside doing the difficult tasks to serve these chiefs. Sogaimiti, however, are allowed to sit inside the fale with the matai, to learn the intricacies of the fa’asamoa by listening to their conversations and participating in their rituals.

I now believe that even the desire for a tatau is evidence that a person wants to connect with the Samoan culture, and that shouldn’t be discouraged.

But people should still make the effort to really learn about the Fa’asamoa – whether that comes before or after being tattooed. It’s a sign of love and respect not for the tatau itself (which is still just a thing) but for other Samoans, for your parents and ancestors, for those of us who hold our traditions in our hearts.

After all, culture is really about people, right?

On to Part 3

Gosh I can talk a lot. I didn’t really stick with my agenda, did I? In this post, I was supposed to also cover:

  • Getting a Samoan Tattoo in the Old Days
  • Getting a Samoan Tattoo Today
  • Variations of the Samoan Tattoo
  • Wearing a Samoan Tattoo with Respect and Pride

I promise I will try to be a lot less um long winded when I DO talk about those fascinating topics in my next post.

Thank you all for your comments so far. Please continue to drop your thoughts and any questions here for me as I prepare to tackle Part 3.

Ia manuia!

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Known off-line as Lillian 'Lei'a' Arp, HGG is just a geek girl learning how to be Samoan. You can also find her at Cup Tea talking about her other most favorite topic in the world: food!

Known off-line as Lillian 'Lei'a' Arp, HGG is just a geek girl learning how to be Samoan. You can also find her at Cup Tea talking about her other most favorite topic in the world: food!

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29 comments on “The Truth about the Samoan Tattoo (Tatau) – Part 2
  1. avatar Reillen says:

    Talofa everybody se ua ready le part 3 manaia tele le faitau

  2. avatar sia scates says:

    my son’s are half Samoan or as they say in Samoan, afakasi

  3. avatar sia scates says:

    yes, to respect the tradition. I’m Samoan and my son’s have tattoos and theirs have been done to closely represets their culture traditional and respectful of it.they have been done by one of a few that does this. I am glad to have found this in fact it was my son that found and post like and share I never would have known.
    even as a Samoan there is always something to revisit in my culture. Thanks looking forward to the next part

  4. avatar David Paglia says:

    i was born in Pago Pago and wanted to show my respect to the Samoan culture by getting a Samoan tattoo, would that be disrespectful?

  5. avatar Carla says:

    Talofa Hamo Geek Girl,

    I’ve loved reading your articles, and they’ve been alot of help to me so far. I would appreciate if you could help me with a few things. I’m doing this information book for a Major Project on the significance and cultural meaning of the Malofie and the Malu. I was wondering if you could email me with any other resources and information you have that will be able to guide me through my research.

    Fa’afetai Lava.

  6. avatar John Belford-Lelaulu says:

    Hi Hamogeekgirl

    My name is John and I am currently enrolled in my Masters of Architecture at Unitec. I am planning to base my thesis on the concepts, values, and aesthetics of the malofie. Is there any way I will be able to receive information on this please? I am currently in the process of research and it will be great to get all that I can.

    Please let me know via email (

    Fave tai tele lava and good work on the blog/website.


  7. avatar LaPatrick McGhee says:

    does anyone know how i can get to part three

  8. avatar stu says:

    Hi… I have samoan tattoos ( i’m a tattooer)… i have colleagues who do this type of tattooing and I have had the pleasure of working as ‘stretcher’ for one…… i find this style of tattooing the most satisfying to do…. and receive….. when i DO this type of tattoo…albeit with machines….. i strive to achieve the patterns as best i can.

  9. avatar Taiana says:

    Love your work! Looking forward to part 3

  10. avatar june says:

    Wow this is amazing. This has been so helpful to me as a Samoan who grew up in the states. Are there any other social media sites that you can be followed on?

  11. avatar Toeaso Tolai says:

    Hi:) this page is 100 percent helpful to me. Thank you to the creator:) your research is straight to the point and just what i needed to know about the Pe’a. Thank you sooooo much

  12. avatar Amanda says:

    Love your article. Can’t wait to read part 3

  13. avatar hamogeekgirl says:

    Wow… I totally missed these latest comments somehow…

    Thank you so much for your thoughts and for your encouragement. I’m still very much a student when it comes to Fa’asamoa, so I do appreciate all your insight.

    As for a book? How about I work on becoming a consistent blogger first? lol

    Thanks again everybody!

    • Do I have to be Samoan to get a Samoan tatau. I have always loved how they look and recently have read a lot about the culture and what the symbols mean in the tatau. It has made me want one even more. I would like to find a tufuga in the states, If that’s possible, to get it done traditionally. Is that possible to have one of these done?

  14. avatar Superman07 says:

    I love the research you undertook HGG very thoughtful and articulate. I just wish to add my 2c into what you spoke about with the proverb “E muamua ta lou gutu ona ta ai lea o ou vae”. Thats best left for matai’s to explain however it was taught that sogaimiti’s main job was to do what the matai’s ordered whether it be to folafola a fono, folafola taumafataga’s when meetings take place or even doing apa’s in the main house. It was frowned upon when someone recieved a tatau and not have a basic grasp of the responsibility of their tattoo. I look forward to reading your next few excerpts and do not hesitate getting at me if you need extra hands in researching. Bless

  15. avatar niuzila says:

    Tofaeono was also related to Suluape.

  16. avatar Laura Taylor says:

    My name is Laura and I’m currently working on an article about tatau for a school project. I was wondering if I could ask you a few questions/interview you via email. You seem very informed on tatau and I would love to hear you’re opinion and you’re thoughts.
    Thank you

    • avatar hamogeekgirl says:

      HI Laura… gosh I’m so sorry for the delay in getting back to you. I hope you were able to find sufficient resources for your article. I’m still learning about the tatau -- I wouldn’t call myself an expert (yet)… but if you still need help, I’ll do what I can. Let me know, k?

  17. avatar chadine says:

    another great post…i love it….cant wait to read part three…..keep posting…..i hope you will publish a book someday….if you do have a book…let me know….i am dying to read one your books…

    • avatar hamogeekgirl says:

      That is so flattering chadine. Wow… Sadly, though.. I can hardly keep up with a blog, much less write a whole book lol But if I ever do, I’ll definitely let you know :)

  18. avatar Rick Huffman says:

    Another great article! I also read that one of the things that make Samoan tattoos distinct from other Polynesian tattoos is that they do not contain circular lines. Is this accurate? Also wondering what the difference is between a Tauleale’a and a Pulau’u? Is the former an untattooed boy and the latter an untattooed man? Thank you for this information. I look forward to the next one.

    • avatar hamogeekgirl says:

      Hi Rick.. Apologies for my reply coming 3 months late.

      Tauleale’a is a man who doesn’t have a matai title. Pulau’u is a person without a traditional Samoan tatau. So a pulau’u can also be a tauleale’a, and a matai can also be a pulau’u… especially these days. Back in the day, it was more common for matai to be pulled from the ranks of sogaimiti (men who have the malofie / pe’a), so most matai were already tattooed. But it’s not like that today… Just about all the living matai in my family right now are also pulau’u. Hope that helps :)

  19. avatar Superman07 says:

    Keep up the good work hamogeekgirl because it’s lack of knowledge that often contributes to misunderstanding. I’m enjoying the read :)

  20. avatar james says:

    There appears to be some differences in opinion in the naming of the parts of the tattoo. I notice that your information is from the 1930 book “samoan material culture”. I have a paper from Su’a Sulu’ape Paulo (who was the tufuga you referred to who died in NZ) and he has given different naming as follows…
    pula tama (pula la’ititi + pula tele) This includes two different signs: the decoration under the small pe’a is called pula la’ititi, while the one beside it with the black shadow is the pula tele. The pula la’ititi symbolizes the desire to take care of one’s closest relatives, while the pula tele refers to the family in the wider sense of the word, signifying social commitment, service towards the community, seeing to everyone’s needs

    • avatar hamogeekgirl says:

      Hi again James… that ‘Samoan material culture’ reference is only for the image I took from their site. I’m using it just to show the area of the tattoo I was talking about, but I didn’t use any of the information from that graphic.

      What I’m reporting is straight from my interview with Tanuvasa (I posted the audio of that part up there for you to hear). It sounds like he was paraphrasing what he learned from Sulu’ape -- probably the information you’re quoting, although I got the impression that Tanuvasa was referring to conversations they’d had -- but it’s generally the same idea, don’t you think?

      Thank you though for clarifying yet again, and for providing me with the name of Su’a Sulu’ape Paulo. Very good to know…

    • avatar hamogeekgirl says:

      By the way, I would love to read that paper you’re referring to James. Is it available publicly?

    • avatar james says:

      I don’t think it is on the web anymore -- but i have it saved in a word document. Can i upload a word document to 1samoana? There is text and some diagrams.

    • avatar hamogeekgirl says:

      Hi James. Sorry I missed this comment of yours for some reason.

      Yes please, I would still very much like to read that piece.

      Do you think you could email the article to me?

      Thank you so much.

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